Educating sounds: music as a bioeducational catalyst in teaching
Parole chiave:
music; bioeducation; didacticsAbstract
This paper aims to explore the connection between music, neuroscience and pedagogy within the theoretical framework of bioeducational sciences. Specifically, the work highlights the role of music as an educational tool capable of activating complex cognitive, affective and social processes, supporting the global development of the individual according to an embodied approach. In particular, the didactic implications of neuroscientific discoveries in relation to musical learning are taken as a reference, highlighting the centrality of motivation, corporeality and the relational dimension in educational contexts. The contribution wants, therefore, to offer a theoretical-operational reflection for an inclusive and conscious music teaching, able to enhance the transformative potential of music in educational paths.
Riferimenti bibliografici
Adachi M. (2021). The role of the adult in the child’s early music socialization: A Vygotskian perspective. Visions of Research in Music Education, 16(5), 25.
Austin J.R., Renwick J., McPherson G. E.( 2015). Developing Motivation. In The Child as Musician: A Handbook of Musical Development. New York: Oxford University Press.
Bamberg, M. (2005). Narrative discourse and identities. Narratology beyond literary criticism, 213-237.
Bencivelli, S. (2012). Because we like music. Ear, emotion, evolution. Milan: Sironi Editore.
Bergman Nutley, S., Darki, F., & Klingberg, T. (2014). Music practice is associated with development of working memory during childhood and adolescence. Frontiers in human neuroscience, 7, 926.
Blacking, J. (1979). The study of man as music-maker. BLACKING, John; KEALIINOHOMOKO, Joann W. The Per-forming Arts: Music and Dance. Paris, New York: Walter de Gruyter.
Boncinelli, E. (2008). The new science of the mind. The Universe of the Mind, 45.
Burland, K. (2020). Music for all: Identifying, challenging and overcoming barriers. Music & Science, 3, 2059204320946950.
Campbell, P. S., & Scott-Kassner, C. (1995). Music in childhood. New York: Cengage Learning.
Carroll, J., Clasen, M., Jonsson, E., Kratschmer, A. R., McKerracher, L., Riede, F., & Kjærgaard, P. C. (2017). Biocultural theory: The current state of knowledge. Evolutionary Behavioral Sciences, 11(1), 1.
Ching, F. N., So, W. W., Lo, S. K., & Wong, S. W. (2020). Preservice teachers’ neuroscience literacy and perceptions of neuroscience in education: Implications for teacher education. Trends in neuroscience and education, 21, 100144.
Ciasullo, A. (2015). Bioeducational harmonies: scales and pedagogical arpeggios. Milan: FrancoAngeli.
Ciasullo, A. (2017). Fruition and production in musical learning. FILOSOFIÂ OBRAZOVANIÂ, 1(10), 75-86.
Cook, E. L., & Silverman, M. J. (2013). Effects of music therapy on spirituality with patients on a medical on-cology/hematology unit: A mixed-methods approach. The Arts in Psychotherapy, 40(2), 239-244.
Cuadrado, F. (2019). Music and Talent: An experimental project for personal development and well-being through music. International Journal of Music Education, 37(1), 156-174.
Daugirdiene, A., Cesnaviciene, J., & Brandisauskiene, A. (2024). Insights from the active use of neuroscience findings in teaching and learning. Behavioral Sciences, 14(8), 639.
Davidson, J. W. (1993). Visual perception of performance manner in the movements of solo musicians. Psychology of music, 21(2), 103-113.
Edelman, G. M. (1993). Neural Darwinism: selection and reentrant signaling in higher brain func-tion. Neuron, 10(2), 115-125.
Frauenfelder, E. (2004). Introduction to bioeducational sciences. Bari: Laterza editori.
Frauenfelder, E. Z. (1983). The educational perspective between biology and culture. Napoli: Liguori.
Frauenfelder, E., & Santoianni, F. (2002). Bioeducational sciences. Research perspectives. Napoli: Liguori.
Frauenfelder, E., Rivoltella, P., Rossi, P. G., & Sibilio, M. (2013). Bio-education, simplexity, neuroscience and enactivism. Education Sciences & Society, 4, 11-25.
Fritz, T., Jentschke, S., Gosselin, N., Sammler, D., Peretz, I., Turner, R., ... & Koelsch, S. (2009). Universal recognition of three basic emotions in music. Current biology, 19(7), 573-576.
Gardner, H. (2010). Formae mentis: essay on the plurality of intelligence. Mialno: Feltrinelli.
Gomez Paloma, F., Ascione, A., & Tafuri, D. (2016). Embodied Cognition: il ruolo del corpo nella didatti-ca. Formazione & insegnamento, 14, 75-87.
Gkintoni, E., & Dimakos, I. (2022). An overview of cognitive neuroscience in education. In EDULEARN22 Proceedings (pp.5698-5707). Spagna: IATED.
Green, A. E., Beaty, R. E., Kenett, Y. N., & Kaufman, J. C. (2024). The process definition of creativity. Creativity Research Journal, 36(3), 544-572.
Habib, M., & Besson, M. (2009). What do music training and musical experience teach us about brain plastici-ty? Music perception, 26(3), 279-285.
Hallam, S. (2010). The power of music: Its impact on the intellectual, social and personal development of children and young people. International journal of music education, 28(3), 269-289.
Hari, R., & Kujala, M. V. (2009). Brain basis of human social interaction: from concepts to brain imag-ing. Physiological reviews, 89(2), 453-479.
Harney, K. (2020). Integrating music across the elementary curriculum. USA: Oxford University Press.
Hebb, D. O. (2005). The organization of behavior: A neuropsychological theory. New York: Psychology press.
Hodges, D. A., & Nolker, D. B. (2011). The acquisition of music reading skills. MENC handbook of research on music learning, 2, 61-91.
Hogenes, M., Oers, B. V., & Diekstra, R. F. (2014). The impact of music on child functioning. The European Journal of Social & Behavioural Sciences, 1, 1.
Howe, S. W. (1998). Reconstructing the history of music education from a feminist perspective. Philosophy of Music Education Review, 96-106.
Ingold, T. (2014). The creativity of undergoing. Pragmatics & Cognition, 22(1), 124-139.
Jenkins, E. (2009), Confronting the Challenges of Participatory Culture: Media Education for the 21st Century. London: The MIT Press.
Kandel, E. R., & Schwartz, J. H. (1982). Molecular biology of learning: modulation of transmitter re-lease. Science, 218(4571), 433-443.
Kumar, M., Anderson, M. J., Antony, J. W., Baldassano, C., Brooks, P. P., Cai, M. B., ... & Norman, K. A. (2022). BrainIAK: the brain imaging analysis kit. Aperture neuro, 1(4), 10-52294.
Lamont, A., & Maton, K. (2010). Unpopular music: Beliefs and behaviours towards music in education. Sociology and music education, 63-80.
Leman, M. (2007). Embodied music cognition and mediation technology. Cambridge: MIT press.
Levitin, D. J. (2006). The music instinct. This is your brain on music: the science of human obsession. New York: Dutton.
Manturzewska, M. (1990). A biographical study of the life-span development of professional musicians. Psychology of music, 18(2), 112-139.
McPherson, G. (Ed.). (2022). The Oxford handbook of music performance (Vol. 2). Oxford: Oxford University Press.
Miller, L. K. (2014). Musical savants: Exceptional skill in the mentally retarded. New York: Psychology Press.
Mithen, S. J. (2006). The singing Neanderthals: The origins of music, language, mind, and body. Harvard: Harvard University Press.
Patel, A. D. (2008). Music is a transformative technology of the mind. Cambridge: Press.
Peretz, I., Aubé, W., & Armony, J. L. (2013). Towards a neurobiology of musical emotions. The evolution of emotional communication: from sounds in nonhuman mammals to speech and music in man, 277.
Proverbio A. M. (2019). Cognitive neuroscience of music. The musical brain between art and science. Bologna: Zanichelli.
Reybrouck, M. (2008). The musical code between nature and nurture. The codes of life: The rules of macroevolution, 395-434.
Riva, M. G. (2004). Pedagogical work as a search for meanings and listening to emotions. Milan: Guerini Scientifica.
Schlaug, G., Norton, A., Overy, K., & Winner, E. (2005). Effects of music training on the child’s brain and cognitive development. Annals of the New York Academy of Sciences, 1060(1), 219-230.
Sibilio, M. (2002). The intelligent body (Vol. 1). Naples: Simone SpA.
Sibilio, M. (2020). Didactic interaction. Brescia: Morcelliana.
Sibilio, M. (2021). From bioeducation to simplicity: non-linear trajectories of educational research. NEW SECONDARY, 15-22.
Sloboda, J. A., Lamont, A., & Greasley, A. (2009). Choosing to hear music. The Oxford handbook of music psychology, 1, 431-440.
Southgate, D. E., & Roscigno, V. J. (2009). The impact of music on childhood and adolescent achievement. Social science quarterly, 90(1), 4-21.
Sosniak, L. A. (1990). From Tyro to Virtuoso: A long-term commitment to learning. In Music and child development: proceedings of the 1987 Denver Conference (pp. 274-290). MMB.
Stegemöller, E. L. (2014). Exploring a neuroplasticity model of music therapy. Journal of Music Therapy, 51(3), 211-227.
Sweetow, R. W., e Sabes, J. H. (2007), Listening and communication enhancement (LACE). Seminars in Hearing, New York, Seventh Avenue, 133-141.
Tang, S., Peterson, J. C., & Pardos, Z. A. (2016, April). Deep neural networks and how they apply to sequential education data. In Proceedings of the third (2016) acm conference on learning@ scale (pp. 321-324).
Thomas, M. S. (2012). Brain plasticity and education. British Journal of Educational Psychology-Monograph Series II: Educational Neuroscience, 8, 142-156.
Welch, G. (2001). The misunderstanding of music. London: Institute of Education.
Zaatar, M. T., Alhakim, K., Enayeh, M., & Tamer, R. (2024). The transformative power of music: Insights into neuroplasticity, health, and disease. Brain, behavior, & immunity-health, 35, 100716.
##submission.downloads##
Pubblicato
Come citare
Fascicolo
Sezione
Licenza
Copyright (c) 2025 Alessio Di Paolo, Michele Domenico Todino

Questo lavoro è fornito con la licenza Creative Commons Attribuzione - Non commerciale - Non opere derivate 4.0 Internazionale.